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Next up is a classic from Prince Far I – Voice Of Thunder couldn't be a more appropriate album title or moniker! Recorded at Channel One in 1981 with incredible analog dub production, it fully carries the grit, murk, heavy and heady soul of the 70s into the new decade –even if the sound is ultimately a bit different then the what he delivered in the 70s. Titles include 'Jamaican Heroes', 'Prison Discipline', 'Musical History', 'Natty Champion', and 'Golden Throne'. Jamaican Heroes is a totally great album by Prince Far I – and a set that already shows him building that crucial London/ Kingston bridge that would be such a big part of his sound! The album features work from Sly & Robbie, and the killer drums of Style Scott on rhythm – but also includes contributions by London hipsters Viv Albertine & Ari Up (of the Slits), and David Toop (noted music writer and historian) – quite a mix, and all brought together wonderfully by the Prince's production, and really unique vocal approach.

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CDįour fantastic albums from the legendary Prince Far I! The set begins with the classic Free From Sin – Great early work from Prince Far I – a stunning mix of reggae and dub, with a righteous quality that really gives the prince his title amongst 70s Jamaican royalty! Backing is by a version of the Roots Radics – with the excellent Style Scott on drums, Errol Holt on Bass, Bingy Bunny, Sowell and Chinna Smith on guitar, Bobby Kalphat and Snappin on keys, Bobby Ellis and Deadly Headly on horns, and Bongo Herman and Ras Millinek on percussion – but the real key to the sound is the way that Prince Far I produces the whole thing, and mixes his own sinister vocals with the heady, bottom-heavy rhythms – all with a quality that matches Lee Scratch Perry at his best! Titles include 'Free From Sin', 'Light Of Fire', 'Reggae Music', 'I & I Are the Chosen One', ' Don't Deal With Folly', 'Call On I In Trouble', 'When Jah Ready You Got To Move', and 'Siren'. 2CD set features great notes – and bonus tracks that include the rare single recorded with Village, with 'Man In The Moon' and 'Long Time Coming', a 1970 version of 'Long Ago & Far Away', and the French-only single 'Homage To The God Of Light (parts 1 & 2)'. Titles include 'Sweet Home Wine', 'Down So Long', 'Write My Name In The Dust', 'Blueser', and 'Feeling High'. And other cuts stretch out a bit more, and open to progressive ideas – but in ways that are very different than Camel too. Next is Peter Bardens – a second solo set from Peter Bardens – recorded in the years before he rose to fame as the singer in Camel – and a set that does a nice job of uniting the two different strands of his career! There's moments here that show Bardens' abilities on the keyboard nicely – piano passages or organ lines that go back to the work he did on the more soulful side of the UK scene in the late 60s. The album's really something special – great all the way through – and titles include 'The Answer', 'Homage To The God Of Light', 'I Don't Want To Go Home', 'I Can't Remember', 'Let's Get It On', and ' Don't Goof With A Spook'.

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A pair of wondeful albums – back to back in a single set, with bonus material too! First up is Answer – fantastic solo work from Peter Bardens – an artist who'd later gain fame as the lead singer of Camel, but who's even more fantastic here on his own – working in a trippy blend of modes that's equally balanced between prog and psych! Bardens plays organ on most of the tracks, but he uses the instrument in ways that are very different from the more R&B-inspired Hammond lines of the mod generation – often tightly fused with the sublime guitar of Andy Gee, a player who's got this sharp sound that's full of chromatic hues that really resonate with the keys of the organ – as the pair take off in this soaring groove that's occasionally a bit funky, always a bit trippy, and which gets a great kick from bass, drums, and percussion – plus support vocals from Linda Lewis and Steve Ellis.